
This gallery contains 7 photos.
There are several points in the show that call for cobra puppets – little ones in the flashback, a giant one for the final battle – and the LCHS Stagecraft class have been busy building these awesome puppets!
This gallery contains 7 photos.
There are several points in the show that call for cobra puppets – little ones in the flashback, a giant one for the final battle – and the LCHS Stagecraft class have been busy building these awesome puppets!
Q: Okay I thought of one last question, when you are a cobra, do you still have a sense of who your human self is? Or is your human self trying to get out of the cobrafied body? Because at the end Savannah knows who Kelly is? ROB: Here’s my thought about …
Q: I want to know how you guys write such relatable stuff. KATIE: We are awesome. 😉 And you guys are good muses. Thanks for all your terrific and insightful questions! I think I’ve hit all of them, but if I missed something, let me know! (And I’m sure Rob …
Q: Is the transformation by song? (From human to cobra?) KATIE: I think the transformation is via creepy hypno-eyes, plus sitar music. The sitar music doesn’t actually transform you, it just lets us know that’s what’s happening, via the creepy hypno-eyes. The cobra has to intend to turn you. Q:Is …
…another human falls to the cobras. But who…?
A person holding a King cobra. File under NOPE.
Alright, gang. We’re on the verge of having a new draft of the script for you (later tonight), and we should have music for the first act as well. But, until then, here’s a new French scene breakdown of who’s in what and who’s a cobra when.